
Contagion
1988

1990
RDirector
D.J. Webster
Runtime
91 minutes
Average Rating
No ratings yetSynopsis
It is the year 2022. A mysterious systems failure causes the crew of a spaceship to be stranded on the dark side of the moon, while rapidly running out of fuel and oxygen. They are surprised to discover a NASA space shuttle floating in space, and board it in the hope of salvaging some supplies. One by one, the crew is possessed and killed, and it is up to Paxton Warner to find the links between the dark side of the moon, the Bermuda Triangle, and the Devil himself.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film lacks explicit LGBTQ+ characters or non-heteronormative narratives. The survivalist setting suggests a structure adhering to the heteronormative standards common in 1990s genre cinema.
Gender Representation
The plot centers on Paxton Warner as the primary protagonist. This singular male-coded hero driving the mystery reflects traditional masculine leadership tropes without subverting gender hierarchies.
Racial & Ethnic Diversity
The crew's racial and ethnic composition is not specified. Given the era and genre, the film likely features a homogeneous cast lacking visible intersectional representation.
Religious & Cultural Diversity
The story relies on traditional Western religious archetypes, linking anomalies to the Devil. It operates within a conventional framework of good versus evil rather than deconstructing institutional power.
Disability Representation
There is no information regarding characters with visible or invisible disabilities. The narrative focus remains strictly on environmental survival and the threat of possession.
Strengths
Areas for Improvement
AI Analysis
The Dark Side of the Moon follows a traditional 1990s sci-fi horror trajectory, prioritizing supernatural suspense over demographic depth. The narrative is driven by a singular male protagonist, Paxton Warner, which reinforces conventional gender roles. Representation across racial and LGBTQ+ spectrums is absent from the known character details. The film leans heavily on Western religious tropes, specifically the concept of the Devil, to drive its central conflict. Ultimately, the film functions as a standard genre piece of its era, lacking intentional efforts to disrupt social hierarchies or provide nuanced, intersectional perspectives.
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