
Child of Glass
1978

Representation Score
Fair
1987
TV-PGDirector
Yvonne Mackay
Runtime
54 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film benefits from strong female creative leadership through director Yvonne Mackay and writer Margaret Mahy, which counters the male-dominated industry trends of the late 1980s. However, the narrative itself is centered around male characters, focusing on a boy and his male ancestor. The lack of explicit identity markers or diverse casting evidence suggests a conventional approach to family fantasy. Ultimately, the production falls in a moderate-to-low range, lacking the layered diversity or subversive identity politics needed for a higher diversity rating.
Category Breakdown
The film does not explicitly depict queer identities or non-straight relationships. Despite the author's reputation for nuanced character development, the on-screen content aligns with the typical family-friendly standards of the 1980s.
The story focuses on male characters, including a young boy and his great uncle. However, the production showcases strong female leadership through director Yvonne Mackay and writer Margaret Mahy.
There is no verified information about the racial makeup of the cast. Given the 1987 production era, the film likely follows a more uniform casting approach common to the time.
The narrative employs a family curse cliché to explore ancestral legacies. It operates within conventional family-oriented mystery frameworks without challenging traditional institutions or Western norms.
The film does not provide any information about characters with physical, neurodivergent, or mental health conditions. There is no assessment of disability ability to act.
Present on Screen
Limited or Absent
Official Synopsis
The Haunting of Barney Palmer is a fantasy film for children about a young boy who is haunted by his great uncle. Young Barney fears that he has inherited the Scholar family curse; a suite of 80s-era effects ramp up the supernatural suspense. The film was a co-production between PBS (United States) and Wellington's Gibson Group, which resulted in Ned Beatty (Deliverance, Network) being cast. It was written by Margaret Mahy, based on her Carnegie Award-winning novel The Haunting, and an early fruitful collaboration between her and director Yvonne Mackay.

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