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Lijmen/Het been

Name: Lijmen/Het been
Director: Robbe De Hert
Released: 2000

Representation Score

4.3/10

Fair

2000

Director

Robbe De Hert

Average Rating

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New Showbiz Analysis

Lijmen/Het been functions as a period piece that prioritizes historical realism over demographic variety. The film captures the socio-political friction of 1960s Belgium, focusing on the breakdown of traditional hierarchies and the rise of youthful rebellion. While the film excels at portraying ideological struggles and the critique of institutional authority, it lacks diversity in terms of race and sexual orientation. The cast reflects the specific, homogeneous milieu of the era's Belgian student movements. Ultimately, the work compensates for its limited demographic breadth by offering a deep engagement with anti-establishment sentiments and the deconstruction of Western social norms.

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Category Breakdown

Does Lijmen/Het been have LGBTQ+ representation?

Limited

The film does not include any explicit LGBTQ+ identities or same-sex relationships. Set during a time of changing sexual politics, the story stays within conventional representations of the era.

How does Lijmen/Het been portray gender?

Fair

Women are shown participating in the 1960s student movement. This highlights the tension between traditional social structures and the emerging feminist movement of the time.

How racially and ethnically diverse is Lijmen/Het been?

Limited

The cast is mainly white and Belgian, reflecting the demographic uniformity of 1960s Belgium. There is no significant ethnic diversity among the students portrayed.

How does Lijmen/Het been represent religion and culture?

Good

The story focuses on anti-establishment themes and civil disobedience. It critiques institutional power and university administrations through the lens of political activism.

Does Lijmen/Het been include disability representation?

Minimal

There is no focus on visible or invisible disabilities within the story.

Present on Screen

Strong engagement with anti-establishment themes and systemic critique.
Effective portrayal of the ideological struggles within 1960s student movements.
Nuanced depiction of the tension between traditional structures and emerging feminist activism.

Limited or Absent

Lack of ethnic and racial diversity within the character demographics.
Minimal representation of LGBTQ+ identities or non-straight-centered perspectives.
Absence of focus on disability representation.

Official Synopsis

Story of two con men, Boorman and his younger assistant Laarmans, who are trying to sell companies their non-existing magazine.

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