
Doublebooking
2020

Representation Score
Good
1970
Director
Nagisa Ōshima
Runtime
94 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Nagisa Ōshima’s work serves as a sophisticated critique of post-war social and legal stability. By focusing on the ambiguity of a theft and subsequent police intervention, the film questions the reliability of institutional truth and the fragmentation of reality. The film stands out for its non-Western perspective, which challenges traditional cinematic structures. It favors morally relativistic storytelling over didactic, conventional justice, making it a significant piece of Japanese New Wave cinema. However, the narrative remains somewhat limited by its focus on a culturally homogeneous setting and a lack of explicit detail regarding female roles or specific LGBTQ+ character arcs.
Category Breakdown
The film touches on themes that challenge the assumption that everyone is straight or cisgender. It explores the tension between personal desires and societal rules, even though specific character arcs are not detailed.
The story centers on a man's pursuit of a stolen object, highlighting his role in driving the plot. It may question traditional masculine stereotypes and the instability of patriarchal authority during its time period.
As a Japanese New Wave production, the film brings a non-Western cinematic voice to light. It challenges Western storytelling conventions by focusing on a localized cultural perspective to explore universal themes.
The film critiques state authority and the legal system. It emphasizes subjective morality and situational ethics over a single, unified moral code.
There are no characters with visible or invisible disabilities featured in the narrative.
Present on Screen
Limited or Absent
Official Synopsis
When a man chases down his stolen movie camera, the thief commits suicide by jumping off a building. But after the police take the camera as evidence, it becomes unclear if there was ever a thief in the first place.

2020

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1978
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