Bad Lucky Goat
2017
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Diversity score: 3.2 out of 10
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We're Going to the Zoo
2006
Not RatedDirector
Josh Safdie
Runtime
14 minutes
Average Rating
No ratings yetSynopsis
This is a story about a real life brother and sister and their journey to the zoo. On their way, they accidentally pick up a hitchhiker.
Where to Watch
Diversity & Representation
Overall Score
2.8/10
Limited
Category Breakdown
LGBTQ+ Representation
The film focuses on a familial journey between a father and son. It lacks any depiction of non-cisnormative identities or same-sex intimacy.
Gender Representation
The story centers on a paternal relationship and traditional caregiver dynamics. It operates within conventional patriarchal structures without deconstructing masculinity.
Racial & Ethnic Diversity
The characters reflect a standard, non-diverse demographic. There is no evidence of intentional color-blind casting or race as a central narrative component.
Religious & Cultural Diversity
This naturalistic study avoids engagement with systemic critiques or religious tension. It focuses on mundane daily life rather than anti-institutional narratives.
Disability Representation
The film contains no depictions of visible or invisible disabilities. There is no representation of neurodivergence or chronic illness.
Strengths
- The film utilizes a naturalistic, hyper-realistic cinematic style to explore character studies.
Areas for Improvement
- The narrative lacks intentionality regarding intersectional representation.
- The film relies on traditional domestic archetypes and conventional patriarchal structures.
- There is a notable absence of racial, LGBTQ+, or disability representation.
AI Analysis
Josh Safdie’s early short film is a naturalistic character study that prioritizes observational realism over intersectional representation. The narrative follows traditional domestic archetypes and social structures without attempting to disrupt established norms. The film lacks intentionality regarding progressive representation. It functions as a conventional story centered on a paternal bond, offering little engagement with marginalized identities or systemic critiques.
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