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Making the Headlines

Name: Making the Headlines
Director: Lewis D. Collins
Released: 1938
Duration: 66 min

Representation Score

1.8/10

Minimal

1938

Approved

Director

Lewis D. Collins

Runtime

66 minutes

Average Rating

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New Showbiz Analysis

Making the Headlines is a conventional 1938 crime drama that adheres to the social and cinematic norms of its time. The narrative prioritizes established hierarchies, focusing on male-driven investigative efforts and institutional law and order. The film lacks representation of diverse identities, including LGBTQ+ characters, racial diversity, and characters with disabilities. It functions as a standard genre piece that reinforces the homogeneous demographic norms of the late 1930s.

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Category Breakdown

Does Making the Headlines have LGBTQ+ representation?

Limited

The film does not include any representation of LGBTQ+ identities or same-sex relationships. It follows the traditional assumption that everyone is straight and cisgender.

How does Making the Headlines portray gender?

Fair

The story centers around male characters like Lt. Lewis Nagel and reporter Steve Withers, reinforcing the gender roles and masculine authority typical of mid-century narratives.

How racially and ethnically diverse is Making the Headlines?

Minimal

Set in a small, predominantly white town, the film likely reflects the homogeneous social structures of the era. There is no evidence of diverse racial backgrounds among the characters.

How does Making the Headlines represent religion and culture?

Limited

The plot uses a standard crime framework that emphasizes the authority of institutions, focusing on the relationship between law enforcement and the press.

Does Making the Headlines include disability representation?

Minimal

There is no information available regarding the inclusion of characters with physical or neurodivergent disabilities.

Present on Screen

The film provides a platform for professional ability to act through the role of the reporter.

Limited or Absent

The narrative lacks racial integration and diverse character arcs.
The story relies on traditional masculine archetypes, limiting gender diversity.
There is no evidence of LGBTQ+ representation or non-cisgender identities.

Official Synopsis

Angry, because he is making too many headlines with his gang-busting activities, the police chief transfers Lt. Lewis Nagel to the sleepy suburban town of Fairview, where he is followed by reporter Steve Withers because he knows Nagel will find a story.

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