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End of Days

Name: End of Days
Director: Peter Hyams
Released: 1999
Duration: 122 min

Representation Score

1.0/10

Minimal

1999

Director

Peter Hyams

Runtime

122 minutes

Average Rating

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New Showbiz Analysis

End of Days is a traditionalist genre piece that adheres to established social hierarchies. It prioritizes a heroic, Western-centric struggle against supernatural forces, reinforcing the archetypes common to late-90s action cinema. The narrative structure relies on binary moralities and conventional gender roles. It does not seek to disrupt clichés or introduce multi-layered approaches, instead focusing on a singular romantic imperative. Ultimately, the film functions as a standard genre exercise that reinforces existing cultural frameworks rather than challenging them.

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Category Breakdown

Does End of Days have LGBTQ+ representation?

Minimal

The film operates within a strictly straight-focused framework. There is no discernible presence of queer identities or subtext within the narrative.

How does End of Days portray gender?

Limited

The male protagonist is the primary driver of the story. The female lead is positioned as a passive object of conflict rather than an active participant.

How racially and ethnically diverse is End of Days?

Limited

The casting leans toward a predominantly white ensemble. The film lacks diverse ethnic perspectives or underrepresented voices in positions of power.

How does End of Days represent religion and culture?

Minimal

The story is rooted in traditional Christian eschatology. It presents a binary struggle between good and evil without exploring moral relativism.

Does End of Days include disability representation?

Minimal

There are no prominent depictions of physical or neurodivergent disabilities that serve as meaningful character elements.

Present on Screen

The film utilizes a clear, classical storytelling structure rooted in established genre traditions.

Limited or Absent

The film lacks active roles for female characters, treating them as passive objects.
The narrative lacks racial and ethnic diversity, relying on a homogeneous ensemble.
There is no representation of LGBTQ+ identities or non-straight perspectives.
The story lacks a critique of traditional religious frameworks or multi-layered depth.

Official Synopsis

Cynical bodyguard Jericho is hired by a man possessed by Satan, who is in search of his bride. When Jericho realizes what is happening, he must do everything he can to save the woman and the world.

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