The film lacks evidence of non-cisnormative identities. It appears to follow traditional domestic structures common to the thriller genre without critiquing heteronormativity.

The narrative centers on the Gates family, implying a traditional nuclear structure. Characters seem to occupy standard survivalist roles within conventional genre tropes.

The protagonists carry names associated with Western, Anglo-Saxon conventions. There is no evidence of a non-white majority cast or race-bent casting.

The story utilizes the Western 'dream house' trope. The conflict focuses on territorial control rather than critiquing capitalism, religion, or Western institutions.

There is no specific evidence suggesting neurodivergence or physical disabilities are portrayed with agency or as central character arcs.