
Thrust in Me
1985

Representation Score
Good
1985
UnratedDirector
Richard Kern, Nick Zedd
Runtime
35 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Manhattan Love Suicides functions as a radical rejection of the ordered world. It prioritizes individual chaos over the stability of traditional social hierarchies and collective norms. The film achieves a progressive stance through its aggressive subversion of Western institutions and moral relativism. It replaces traditional redemption arcs with a commitment to anti-social rebellion. While the work lacks depth in explicit demographic representation, its structural commitment to dismantling social hierarchies provides a unique, albeit nihilistic, form of cultural critique.
Category Breakdown
The film challenges assumptions about straight relationships through its focus on sexual transgression. However, it lacks specific character-driven stories or explicit same-sex narratives.
Gender hierarchies are disrupted through chaotic and violent interpersonal dynamics. The film avoids stable masculinity or submissive femininity in favor of nihilistic volatility.
The narrative focuses on a gritty, underground New York setting. There is no evidence of intentional diverse casting or a non-Anglo-Saxon majority.
The work excels at challenging Western institutional values and traditional morality. It celebrates anti-social behavior and nihilism as a radical rejection of the system.
Themes of psychological distress are present, but characters lack specific ability to act regarding disabilities. Mental instability serves as a stylistic component of the transgression aesthetic.
Present on Screen
Limited or Absent
Official Synopsis
A series of short films by Richard Kern: Stray Dogs, Woman At The Wheel, Thrust In Me, & I Hate You Now.

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