
Call My Agent! The Movie
2026

2021
Director
Andrea Maia, Antonio Fornari
Runtime
100 minutes
Average Rating
No ratings yetSynopsis
While he is speaking on the phone with a member of his staff, Filippo has a severe headache and faints. As soon as he regains consciousness, he calls his friend Pippo for help and asks him to invite the group of old friends to join, too. Little by little the four friends remind him of happy moments shared in the past and Filippo gradually manages to remember with their help….But something unhappy comes back to their mind….
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film offers no explicit evidence of non-heteronormative identities or same-sex intimacy. The score reflects a neutral baseline for a character-driven drama where such elements may exist in subtext but remain unconfirmed.
Gender Representation
The narrative appears male-centric, driven by the character Filippo. While female actors like Ilaria Spada are part of the cast, it is unclear if female characters possess significant narrative agency.
Racial & Ethnic Diversity
Set in Italy, the film likely reflects a more homogeneous Mediterranean cast. Without evidence of diverse ethnic ensembles, the score remains in the moderate-to-low range typical of localized European cinema.
Religious & Cultural Diversity
The story explores subjective morality through the deconstruction of past memories. The shift from happy to unhappy recollections suggests a narrative that may challenge idealized versions of the past.
Disability Representation
A medical episode involving a severe headache and fainting serves as the inciting incident. It is unclear if this explores neurological distress meaningfully or serves merely as a plot device.
Strengths
Areas for Improvement
AI Analysis
Back to the Present is a character-centric drama that prioritizes psychological nuance and the exploration of shared history over the disruption of social hierarchies. The narrative uses a memory-retrieval framework to navigate the tension between nostalgia and trauma. While the film provides a platform for interpersonal storytelling, it lacks documented evidence of intentional intersectional subversion. The focus remains on the emotional resonance of friendship rather than the representation of marginalized identities. Ultimately, the production functions as a study of collective memory and the fragility of the psyche, leaning into localized, character-driven storytelling rather than systemic critique.

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