
Submission
2020

Representation Score
Limited
2026
Director
Stefano Mordini
Average Rating
No ratings yetNew Showbiz Analysis
The film places a woman at the center of a high-stakes legal and personal conflict, giving her agency in both professional and survival contexts. This creates a strong gender representation foundation, even if the surrounding world remains narrow. Culturally, the story engages with institutional power and trauma, using the courtroom as a space to challenge authority. Yet it does so within a largely homogeneous Italian setting, limiting broader cultural or racial visibility. The absence of LGBTQ+ and disability representation, combined with a familiar abusive-ex thriller dynamic, keeps the film’s diversity impact modest. It advances female authority but stops short of expanding whose stories are told.
Category Breakdown
No LGBTQ+ characters appear in the story. The only romantic history shown is a heterosexual past relationship with an abusive ex-partner, leaving queer identities entirely absent from the narrative.
A young woman leads the plot as a brilliant lawyer driving a major lawsuit. She navigates professional power and personal safety, while male characters serve as her client, antagonist, or threat.
The cast is predominantly Italian, reflecting the film’s Trieste setting. Marlon Joubert appears in the top-billed cast, but the synopsis does not specify his character’s background or role depth.
The story questions institutional authority by having a lawyer sue a university for marginalizing a professor. It frames the legal system as a tool for challenging academic decisions and explores personal trauma.
No characters with physical or mental disabilities are mentioned in the available plot summary or cast information. The narrative focuses on legal conflict and psychological tension without including disability perspectives.
Present on Screen
Limited or Absent
Official Synopsis
A brilliant, young lawyer from Trieste is contacted by a charismatic university professor, whom she previously successfully defended against an accusation of sexual violence, to sue his university which has reinstated him but relegated him to a marginal role. Meanwhile, her past comes back to haunt her: strange signs, a fleeting sense of a presence and an ongoing threatening feeling lead her to believe that her ex-partner - who was abusive and obsessive over her, to the point of being convicted of stalking – is once again harassing her.

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