
Buffalo Running
1883
No Poster Available
Representation Score
Minimal
1941
ApprovedRuntime
10 minutes
Average Rating
No ratings yetNew Showbiz Analysis
This MGM documentary functions as a promotional tool for the studio system, prioritizing technical mastery and institutional prestige. The narrative structure reinforces mid-century American values, focusing on the mechanics of motion and the glamour of established stars. Representation is minimal, as the film adheres to the homogeneous casting and gendered labor hierarchies of 1941. It serves to celebrate the status quo rather than explore diverse identities or social complexities.
Category Breakdown
The film focuses on technical cinematography and studio stars. It does not include any characters or stories related to LGBTQ+ identities.
While featuring major female stars, the technical roles of directors and cinematographers are centered on men. This reinforces a hierarchy where women are primarily visual subjects rather than technical leaders.
The film highlights MGM's stars and war efforts, likely reflecting the Eurocentric casting standards of 1941. It lacks diverse ethnic perspectives or race-blind casting.
The narrative celebrates Western institutions, patriotism, and the studio system. It promotes nationalistic duty without offering any critique of systemic power structures.
The content emphasizes the physical perfection of horses and idealized Hollywood aesthetics. There is no engagement with physical or neurodivergent disabilities.
Present on Screen
Limited or Absent
Official Synopsis
This short starts out as a documentary. In a dramatization, Eadward Muybridge's photographic experiments prove that when a horse gallops, there are times when all four of the animal's feet are off the ground. We are then brought to the present, where MGM directors and their cinematographers are shown working on current productions. The film closes with closeups of the studio's major stars and a tribute to the studio's actors who have joined the armed forces.

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