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DeadHeads

Name: DeadHeads
Director: Drew T. Pierce, Brett Pierce
Released: 2011
Duration: 95 min

Representation Score

1.6/10

Minimal

2011

Director

Drew T. Pierce, Brett Pierce

Runtime

95 minutes

Average Rating

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New Showbiz Analysis

DeadHeads primarily adheres to the established clichés of the horror-comedy genre. The narrative centers on a personal journey and a battle against a corrupt corporation, emphasizing genre-driven adventure over broader social commentary. Although the film touches on themes of anti-capitalism, it lacks clear evidence of multi-layered representation. The absence of specific data on racial, gender, or LGBTQ+ diversity contributes to a lower overall score. The zombies' condition serves the genre but does not explore disability or societal norms.

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Category Breakdown

Does DeadHeads have LGBTQ+ representation?

Minimal

The film does not include any explicit references to LGBTQ+ characters or non-cisgender identities. There are no queer narratives or depictions of same-sex relationships.

How does DeadHeads portray gender?

Fair

The story revolves around a male-led quest for a lost love, adhering to traditional protagonist roles. While the horror-comedy genre may challenge typical masculine traits, there is no clear indication of women having significant control over the plot.

How racially and ethnically diverse is DeadHeads?

Minimal

There is no information about the racial or ethnic makeup of the cast. The film does not feature diverse casting or a predominantly non-white ensemble.

How does DeadHeads represent religion and culture?

Fair

The film critiques power structures by depicting a ruthless corporation as the main antagonist. This portrayal highlights themes of anti-capitalism and institutional corruption.

Does DeadHeads include disability representation?

Minimal

The zombies in the film represent a state of physical non-viability, but the movie does not delve into a deeper exploration of disability. There is no critique of societal norms related to disability.

Present on Screen

The film critiques institutions by portraying a ruthless corporation as the main antagonist.
It explores themes of anti-capitalism and the corruption of power structures.

Limited or Absent

The film lacks visible representation of racial, ethnic, or LGBTQ+ identities.
The central plot follows conventional male-coded archetypes without clear subversion of gender hierarchies.
The zombie condition is used for genre purposes rather than exploring disability or societal norms.

Official Synopsis

Two inexplicably coherent zombies awake amidst a zombie attack and decide to take a road trip to find the one's lost love, unaware they are being chased by the agents of a ruthless company with its own agenda.

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