
The Mean One
2022

Representation Score
Minimal
2010
Not RatedDirector
Dick Maas
Runtime
85 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Saint primarily serves as a tool for genre subversion rather than a vehicle for demographic inclusion. It successfully dismantles the sanctity of a major religious icon, offering a provocative critique of Western moral frameworks. However, this cultural deconstruction comes at the expense of broad representation. The film lacks representation across almost all social identity markers. It focuses heavily on a singular, traditional folklore figure, limiting opportunities for diverse perspectives and the empowerment of underrepresented groups. Ultimately, the narrative architecture is driven by the subversion of folklore. While it challenges religious ideals, it fails to engage with the complexities of a modern, diverse audience.
Category Breakdown
The film does not include any LGBTQ+ characters or non-cisgender identities. The story focuses on the horror surrounding the Bishop without any queer-coded subtext.
The story relies on traditional genre archetypes centered around a predatory male figure. Women do not demonstrate a significant role in driving the story or subvert gender hierarchies.
The film centers on localized European folklore and lacks a diverse or non-Anglo-Saxon majority cast. It operates within a traditional Western framework without any racial diversity.
The film provides a sharp critique of religious sanctity by portraying St. Nicholas as a violent antagonist. This deconstructs traditional moral authority through a lens of systemic horror.
There is no evidence of characters with visible or invisible disabilities. The narrative does not include any neurodivergent representation.
Present on Screen
Limited or Absent
Official Synopsis
A horror film that depicts St. Nicholas as a murderous bishop who kidnaps and murders children when there is a full moon on December 5.

2022

1995

2024

2010

2022

2015

2022

2006
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