
Ashley Haden: We All Die C**ts
2019

Representation Score
Excellent
2020
TV-MARuntime
52 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Anna Mann - How We Stop The Fascists is a character-driven satire that uses flamboyant performance to disrupt conventional political discourse. By centering a actively leading, theatrical persona, the work successfully challenges traditional gender and authority archetypes. The production excels in its subversion of institutional power and its use of identity-driven performance to critique fascism. It replaces the standard male political commentator with a vibrant, non-traditional protagonist. However, the work lacks explicit detail regarding racial and ethnic diversity among its supporting cast. While the political themes are strong, the specific diversity of the ensemble remains unverified.
Category Breakdown
The show centers on Anna Mann, a flamboyant actress whose persona challenges traditional comedic archetypes. This gender-nonconforming energy provides a platform for queer-coded expression within a political framework.
The production subverts traditional hierarchies by placing a actively leading, female-coded persona in a position of singular intellectual leadership. Anna Mann acts as a leader rather than a passive observer.
There is limited evidence regarding the racial composition of the supporting quirky characters. The text does not explicitly confirm specific diverse casting or a non-white majority.
The work adopts an anti-authoritarian stance by framing its conflict as a battle against fascism. It uses character comedy to critique established political hierarchies and traditional power structures.
The narrative engages with mental health through comedic hyperbole, specifically mentioning the protagonist's previous success in curing depression. This approach addresses psychological well-being through a satirical lens.
Present on Screen
Limited or Absent
Official Synopsis
Having effectively cured all depression in her previous show, flamboyant Actress and Political Theatre doyen Anna Mann returns to single handedly take on the rise of fascism. There’s audience interaction aplenty and quirky characters abound in this joyful hour hosted by Colin Hoult’s vivaciously awful alter ego. Clever character comedy and barbed thespian banter at it’s best.

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