
New Folder 2
2015

2021
ApprovedDirector
Ssembatya Shafiq
Runtime
65 minutes
Average Rating
No ratings yetSynopsis
Simon jr (Hogan Peterson) inherited the wealth from his father who died of covid19. he spend his late father's money with no limits hence calling for the business downfall, as Tasha (Namutebi Munirah) who was a slay queen and she used to spend more than she earned. Mr. Mutebi (Ssali Matia) was an ordinary businessman who invested in the wrong pyramid circle. Alpha (Emma Vito) was a hardworking uber driver who was addicted to investing in forex trading and sports betting. They all ended up losing all they had because everyone was hiding their motives hence #Hiddenagendafilm
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film lacks any explicit mention of non-cisnormative identities or same-sex intimacy. Character dynamics focus entirely on economic motives and interpersonal deception.
Gender Representation
Female characters like Tasha are depicted through tropes of consumerism and social status. While they possess agency, it is tied to lifestyle choices rather than disrupting gender hierarchies.
Racial & Ethnic Diversity
The narrative provides high levels of localized representation by centering non-Western, regional storytelling. It prioritizes a non-Anglo-Saxon demographic to decentralize the traditional cinematic gaze.
Religious & Cultural Diversity
The story explores modern capitalism and financial instability through pyramid schemes and forex trading. It functions as a cautionary tale regarding individual morality and fiscal responsibility.
Disability Representation
There are no visible or invisible disabilities portrayed in the narrative. No characters are identified as having neurodivergent or physical disabilities.
Strengths
Areas for Improvement
AI Analysis
Hidden Agenda functions as a localized social drama centered on the economic consequences of individual choices. It succeeds in providing a non-Western perspective by focusing on regional economic realities like Uber driving and local business struggles. However, the film lacks intersectional complexity. The characterizations often lean on traditional tropes, particularly regarding gender and social performance, rather than subverting systemic hierarchies. Ultimately, the work operates within a conventional dramatic framework. It prioritizes moral lessons over a deliberate critique of broader social or political structures.

2015

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