The New Half Back
1929

Representation Score
Minimal
1929
Director
Zion Myers, Jules White
Runtime
16 minutes
Average Rating
No ratings yetNew Showbiz Analysis
College Hounds operates as a conventional comedic spoof of its time, emphasizing slapstick humor and traditional social hierarchies. The narrative structure upholds the status quo without challenging it. The film leans heavily on familiar gender and racial clichés. Women are portrayed as tools in male-driven economic conflicts, and the college setting defaults to a white, Anglo-Saxon norm. Overall, the film does not aim to disrupt established identity or power dynamics, staying true to the social structures of 1929.
Category Breakdown
The film lacks any evidence of non-straight-centered identities. The plot focuses on collegiate athletics and familial debt, themes that historically center on traditional social structures.
Women in the film are used primarily to advance the male-driven storyline. The daughter serves as a tool to manipulate a football player, indicating a lack of independent roles for females.
The film's setting implies a homogeneous cast, typical of 1920s American collegiate spoofs. Characters of color do not play significant roles in the narrative.
The story centers on Western societal pressures such as debt and college competition. It does not challenge or question these traditional institutions.
There is no information available regarding the portrayal of physically or neurologically diverse characters in this production.
Present on Screen
Limited or Absent
Official Synopsis
This Dogville comedy is a spoof of college football movies. A man in debt to a loan shark uses his daughter to stop football hero Red Mange from playing in the big game between Airedale College and Spitz University.
1929

1927

1939

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1932

1929

1935
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