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Kicked in the Head

Name: Kicked in the Head
Director: Matthew Harrison
Released: 1997
Duration: 89 min

Representation Score

3.4/10

Limited

1997

Director

Matthew Harrison

Runtime

89 minutes

Average Rating

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New Showbiz Analysis

Kicked in the Head operates as a conventional mid-90s crime-comedy that emphasizes plot-driven action over challenging social norms. The narrative structure revolves around a singular male protagonist navigating a series of chaotic, individualistic adventures. The film leans heavily on established genre clichés, such as the 'man in crisis' and the romanticized female character. This approach results in a lack of diverse racial, cultural, or LGBTQ+ perspectives, reinforcing a homogeneous character study. Overall, the work adheres to a traditional storytelling model without integrating diverse perspectives necessary to broaden its scope.

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Category Breakdown

Does Kicked in the Head have LGBTQ+ representation?

Fair

The story centers on a heterosexual relationship between Redmond and a stewardess. There are no visible LGBTQ+ characters or individuals whose gender doesn't match their assigned sex at birth.

How does Kicked in the Head portray gender?

Fair

The film follows a traditional 'man in crisis' storyline focused on the male protagonist. Female characters are portrayed as romantic figures rather than as independent agents driving the story.

How racially and ethnically diverse is Kicked in the Head?

Limited

The narrative lacks any indication of a multi-ethnic cast or diverse racial backgrounds. It seems to focus solely on a single protagonist.

How does Kicked in the Head represent religion and culture?

Limited

The themes align with typical crime drama conventions rather than exploring diverse cultural perspectives. It emphasizes conventional social structures through its focus on individual struggles.

Does Kicked in the Head include disability representation?

Minimal

The synopsis does not mention any characters dealing with physical, neurodivergent, or mental health conditions.

Present on Screen

The film avoids actively harmful depictions of underrepresented groups.
The narrative maintains a clear, focused momentum through its crime-comedy elements.

Limited or Absent

The story lacks visible LGBTQ+ representation or non-cisgender identities.
Female characters function primarily as romantic figures rather than independent agents.
There is no indication of a multi-ethnic cast or diverse racial integration.
The film does not explore diverse cultural or anti-establishment frameworks.

Official Synopsis

When Redmond finds himself out of home and job, his life becomes a series of unpredictable escapades - from dodging gunfire after his uncle makes him deliver a highly suspicious package to pursuing a moody stewardess he thinks has come to save him. Soon Redmond begins to suspect his road of mishap might actually be the path to the truth he has been seeking all along.

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