
The Dead Are Alive
1972

Representation Score
Limited
1983
RDirector
Pupi Avati
Runtime
98 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Pupi Avati’s film is a traditional piece of European folk horror that emphasizes atmosphere and genre conventions. The narrative is deeply rooted in a specific, localized setting reflecting the social structures of 1980s Italian cinema. The film does not intentionally engage with modern frameworks that consider multiple aspects of identity. Instead, it adheres to established genre archetypes, focusing on supernatural mystery rather than exploring identity-based themes or challenging traditional hierarchies. Ultimately, the work is a culturally specific study of folklore. It remains homogeneous in its casting and narrative focus, offering little engagement with diverse racial, gender, or disability-related perspectives.
Category Breakdown
The film does not include any queer narratives or characters with non-traditional gender identities. It follows the assumption that everyone is straight and cisgender, typical of 1980s Italian horror.
The story revolves around a male journalist who leads the investigation. Female characters are mainly portrayed as subjects of mystery or in vulnerable roles.
Set in a rural Italian village, the casting is culturally uniform. The film does not feature diverse ethnicities, focusing instead on a localized European setting.
The narrative heavily depends on local superstitions and religious themes. It serves as a study of historical folklore rather than a critique of Western institutions.
There are no characters with visible or invisible disabilities in the film. The plot centers on supernatural elements rather than the experiences of those with disabilities.
Present on Screen
Limited or Absent
Official Synopsis
A young journalist buys a used typewriter and notices some text still legible on the ribbon; he reconstructs the story of a scientist who discovered that some types of terrain have the power to revive the dead.

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