The film lacks explicit confirmation of same-sex pairings or non-cisnormative identities. However, the female-led survival narrative against patriarchal religious authority provides a foundation for non-heteronormative agency.

Women hold the primary agency, resisting systemic confinement as central investigators and combatants. Alyssa and Karla move beyond the damsel trope, wielding weapons to confront institutional threats.

The narrative provides no specific details regarding the racial or ethnic composition of the cast. Consequently, the diversity of the characters' backgrounds remains unverified.

The story critiques Western religious institutions by framing a church-run halfway house as a site of corruption. Priests and nuns are positioned as figures complicit in systemic threats.

There is no mention of characters with visible or invisible disabilities. The provided information does not address representation within this category.