
Breathe
2016

Representation Score
Minimal
2017
Director
Jim Cummings
Runtime
3 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Jim Cummings' short film is a simple exploration of personal crisis that emphasizes emotional isolation over identity-focused storytelling. While it successfully challenges traditional masculine stereotypes by highlighting male vulnerability, the film remains limited in its demographic range. The production sticks to conventional social norms, featuring a largely white and traditionally structured cast. It serves as a slice-of-life drama that observes current societal structures without dismantling them. Overall, the film lacks the layered complexity needed to achieve a high diversity score, focusing instead on a singular character-driven narrative.
Category Breakdown
The film does not include any LGBTQ+ characters or show same-sex relationships. It focuses on heterosexual relationships and emotions.
The movie centers on a male protagonist dealing with grief, breaking away from typical masculine stereotypes. However, there are no female characters in the film.
The cast is primarily white and set in a small town. There are no characters representing non-white backgrounds.
The story looks at the breakdown of traditional families due to divorce, focusing on the fragility of Western institutions without directly criticizing them.
There are no characters with physical, sensory, or cognitive disabilities. Psychological issues are shown as a universal experience rather than a specific condition.
Present on Screen
Limited or Absent
Official Synopsis
A man drops to his knees to give CPR to a stranger. But all is not what it seems. “It’s All Right, It’s OK” is the first short film from a triptych by Jim Cummings titled “Still Life.” Each of the films in the series was shot in one dramatic take.

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