The film focuses entirely on a 13th-century monastic brotherhood. It contains no depictions of non-heteronormative identities or same-sex intimacy.

The cast is predominantly male, reflecting the patriarchal structures of medieval religious life. Female characters are relegated to peripheral roles with little agency.

Casting is homogeneous to reflect the demographic reality of 13th-century Ireland. The film lacks intentional racial blending or intersectional diversity.

The narrative critiques religious hegemony by showing how extreme devotion can lead to madness. It explores the psychological erosion caused by spiritual fervor.

Mental instability is used as a horror device to drive the plot. These portrayals focus on religious obsession rather than nuanced depictions of neurodivergence.