
How to Let Go of the World and Love All the Things Climate Can't Change
2016

2022
Director
Shaunak Sen
Runtime
97 minutes
Average Rating
No ratings yetSynopsis
Against the darkening backdrop of New Delhi's apocalyptic air and escalating violence, two brothers devote their lives to protecting one casualty of the turbulent times: the bird known as the black kite.
Overall Score
Good
Category Breakdown
LGBTQ+ Representation
The film lacks explicit queer narratives or non-cisnormative identities. However, the focus on unconventional domesticity and caretaking roles creates a space outside traditional heteronormative structures.
Gender Representation
The documentary centers on a male-driven domestic sphere through the brothers' labor. It avoids aggressive masculinity tropes, instead portraying men through nurturing and meticulous caretaking roles.
Racial & Ethnic Diversity
The film provides an immersive, non-Western perspective that challenges Global North environmental narratives. It avoids the spectacle of poverty, prioritizing localized agency and nuanced socioeconomic realities.
Religious & Cultural Diversity
The narrative prioritizes a secular, biological reality over religious or nationalist frameworks. It offers a critique of industrialization and capitalism by focusing on the material needs of living beings.
Disability Representation
While human disability is not a focus, the film explores environmental disability. It portrays injured black kites as subjects possessing agency despite their physical impairments.
Strengths
Areas for Improvement
AI Analysis
All That Breathes succeeds by disrupting Western-centric environmental discourse. It shifts the focus from human dominance to a shared, precarious existence within a collapsing ecosystem in New Delhi. The film excels at presenting a non-Western urban reality. By centering the brothers' ecological stewardship, it reframes masculine agency and challenges traditional narrative hierarchies. While it lacks explicit representation for certain identities, its sophisticated critique of industrial capitalism and its focus on localized, indigenous agency provide a profound, intersectional perspective on survival.

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