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Stolen Days

Name: Stolen Days
Director: Guido Lombardi
Released: 2019
Duration: 105 min

Representation Score

2.9/10

Limited

2019

Director

Guido Lombardi

Runtime

105 minutes

Average Rating

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New Showbiz Analysis

Stolen Days is a localized character study focused on the intricate bond between a father and his son. The narrative structure emphasizes a traditional, male-driven perspective, highlighting paternal redemption and familial duties within a specific Italian social context. The film adheres to conventional social structures, focusing on individual ability to act and masculine dynamics. It lacks the complexity and disruption of traditional social hierarchies needed for a more progressive representation. Overall, the work is a standard dramatic exploration of morality and family, maintaining a homogeneous cultural and gendered framework.

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Category Breakdown

Does Stolen Days have LGBTQ+ representation?

Fair

The film does not include any explicit references to LGBTQ+ characters or non-straight relationships. The plot centers around a traditional father-son relationship.

How does Stolen Days portray gender?

Limited

Male characters dominate the narrative, particularly the father and son, with minimal involvement from female characters. Female characters have little influence on the plot or challenging traditional hierarchies.

How racially and ethnically diverse is Stolen Days?

Limited

The story unfolds within a culturally homogeneous setting typical of regional Italian dramas. There is no indication of a diverse cast or non-Anglo-Saxon majority.

How does Stolen Days represent religion and culture?

Fair

The film delves into personal morality and the tension between individuals and state institutions. It emphasizes personal redemption rather than broader socio-political critiques.

Does Stolen Days include disability representation?

Minimal

There is no evidence of characters with physical or neurodivergent disabilities in the film.

Present on Screen

Offers a detailed look at familial bonds and social realism.
Explores the complexities of paternal redemption and individual morality.

Limited or Absent

Could benefit from more diverse representation, especially regarding LGBTQ+ visibility and women's ability to drive the story.
The narrative heavily favors a homogeneous, male-centric viewpoint.
Focuses primarily on personal arcs rather than broader socio-political critiques.

Official Synopsis

Salvo was five when his father Vincenzo was arrested, practically before his eyes. Seven years later Salvo lives with his uncles and his cousin a controlled and peaceful existence in the Turin area, but his father returns and claims his son for four days. Vincenzo has to carry an important load to Bari and brings Salvo (nomen est omen) with him as insurance: a child is better than a gun, he says, because his presence in the event of a possible police detention can have a distracting effect . This however is not the only reason why Vincenzo wants Salvo with him, and the "Salv-atore" child will prove to be a potential vehicle of redemption for that messed up father, but not entirely devoid of feelings and attentions.

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