The film lacks explicit LGBTQ+ character arcs or narratives. It follows traditional horror ensemble dynamics that do not appear to critique heteronormativity.

Female characters appear within standard horror tropes, often placed in positions of vulnerability. There is no evidence of subverting traditional gender hierarchies.

The film provides meaningful inclusion by utilizing a Thai setting and a cast reflecting regional demographics. This avoids the homogeneous white casting common in Western horror.

While the setting explores local history and potential folklore, the film lacks an explicitly secularist or anti-Western agenda. It functions within conventional genre bounds.

There is no mention of characters possessing visible or invisible disabilities within the narrative.