
Dolls
2019

Representation Score
Fair
2005
Not RatedDirector
Charles Band
Runtime
71 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Doll Graveyard follows a standard horror genre with heavy reliance on established clichés. The narrative centers on a historical tragedy and subsequent haunting, focusing on traditional domestic conflicts. The film does not aim for progressive or characters who reflect more than one aspect of diversity. It adheres to a conventional framework without challenging social or identity-based hierarchies. Overall, the film emphasizes supernatural tension over diverse character development, leading to limited representation.
Category Breakdown
The film does not include any visible LGBTQ+ characters or non-cisgender identities. The story stays within traditional heterosexual norms.
Despite featuring a female protagonist, the plot is dominated by patriarchal control. The female experience is portrayed through victimization rather than empowerment.
The setting and family descriptions suggest a typical Western context. There is no indication of multi-ethnic casting or intentional racial diversity.
The film employs gothic horror to critique the traditional family unit and domestic life. It focuses on historical trauma rather than broader social issues.
Physical injuries, such as a broken neck, serve as supernatural plot devices. Characters with disabilities are not shown taking significant action.
Present on Screen
Limited or Absent
Official Synopsis
It's 1905 when 12 year old Sophia plays all by herself in her big, creepy house with only four handmade dolls as friends. When her abusive father has finally had enough, he forces her to bury them in the backyard. But, after she "slips" and breaks her neck, dad buries her right along with the dolls. 100 years later, the Fillbrook family moves into the very same house.

2019

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