
Gasolina
2010

Representation Score
Excellent
2017
Director
Julio Hernández Cordón
Runtime
82 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Julio Hernández Cordón presents a sophisticated, non-linear exploration of youth identity and desire. By treating identity as a fluid concept, the film delves deeply into the human experience. The film succeeds by prioritizing authentic, localized voices and a specific Central American setting. It avoids global stereotypes and challenges conventional cinematic expectations through its postmodern structure and rejection of traditional moralistic frameworks. While the film excels in LGBTQ+ and racial representation, it does not specifically engage with disability representation, maintaining a neutral stance in this area.
Category Breakdown
The film challenges traditional views by focusing on the fluid nature of adolescent desires. Queer attraction is shown as a natural part of the characters' self-discovery.
Sole and Ana play key roles in driving the story, rather than being passive figures. The film explores complex teenage relationships and gender dynamics.
The film features a mostly Guatemalan and Latin American cast, giving characters a strong sense of cultural identity. It avoids stereotypical representations by setting the story in a specific Central American context.
The narrative emphasizes personal morality and situational ethics over traditional religious teachings. It focuses on the lived experiences and instincts of young people.
There are no characters with visible or invisible disabilities that significantly impact the story. The representation in this area is neutral.
Present on Screen
Limited or Absent
Official Synopsis
Hernandez had already made films in Guatemala and Mexico and this time found inspiring locations, unusual atmosphere and enthusiastic young people in Costa Rica. In this consciously unpolished film, the rebellious girls Sole and Ana open the trunk of a car in grandma’s garden and find something they’d rather immediately forget.

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