
Best Friends – The Movie
2015

Representation Score
Excellent
2016
PG-13Director
Dash Shaw
Runtime
76 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Dash Shaw’s work functions as a postmodern critique of the coming-of-age genre. By utilizing an experimental aesthetic, the film explores the fragmentation of identity and rejects standard moral hierarchies. The film excels in its nuanced approach to LGBTQ+ dynamics and its rejection of institutional authority. It treats adolescent social structures as complex and non-linear rather than following predictable formulas. However, the abstract animation style makes it difficult to assess specific racial or disability representation. While the film's themes of alienation offer subtextual depth, it lacks explicit, concrete depictions of these identities.
Category Breakdown
The film portrays sexuality as fluid and non-linear, moving beyond assumptions that everyone is straight or cisgender. It avoids the singular 'coming out' cliché, instead treating queer attraction as an integral part of the student ecosystem.
Gendered interactions are characterized by emotional volatility rather than traditional hierarchies. The film depicts messy, irrational social dynamics that challenge stable, traditional roles between male and female characters.
Highly stylized, abstract animation avoids hyper-realistic racial categorization. This aesthetic choice deconstructs visual cues used for racial hierarchies, favoring a universalized sense of adolescent alienation over race-centric realism.
The narrative prioritizes subjective adolescent experience over institutional authority. It deconstructs traditional structures like school administrations, framing them as sources of systemic danger and cover-ups.
Specific depictions of physical or neurodivergent disabilities are not primary drivers. However, the film's focus on sensory overwhelm and alienation serves as a metaphorical representation of neurodivergent experiences.
Present on Screen
Limited or Absent
Official Synopsis
Dash and his best friend Assaf are preparing for another year at Tides High School muckraking on behalf of their widely-distributed but little-read school newspaper, edited by their friend Verti. But just when a blossoming relationship between Assaf and Verti threatens to destroy the boys' friendship, Dash learns of a cover-up by the administration that puts the entire student body in danger.

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