
Golden Twenties
2019

Representation Score
Good
2019
Director
Urša Menart
Runtime
90 minutes
Average Rating
No ratings yetNew Showbiz Analysis
My Last Year as a Loser is a character study centered on social alienation and the challenges of growing up. It succeeds in providing a nuanced look at women's ability to drive the story, subverting passive feminine clichés through Špela's intellectual and personal drive. However, the film remains within a relatively traditional demographic framework. It lacks explicit representation of LGBTQ+ identities and multi-ethnic diversity, focusing instead on localized Slovenian social structures. Ultimately, the film finds its strength in critiquing systemic capitalist pressures and the psychological weight of social failure, even if it avoids specific explorations of disability or diverse racial backgrounds.
Category Breakdown
The film focuses on traditional milestones such as career and romance without explicitly addressing non-straight relationships or critiques of the assumption that everyone is straight or cisgender.
Špela is shown playing a significant role in driving the story, moving beyond typical domestic roles. Her struggle to regain control over her life highlights her active role in her development.
The film depicts a homogeneous, contemporary urban Slovenian environment. It focuses on class and existential issues without exploring multi-ethnic diversity or racial differences.
The story critiques modern socioeconomic structures and the pressure of the 'rat race.' It deconstructs the nuclear family through the protagonist's return to a multi-generational household.
Themes of existential dread and apathy are explored through the lens of universal developmental struggles. These internal drivers do not specifically address neurodivergence or visible disabilities.
Present on Screen
Limited or Absent
Official Synopsis
Špela graduated in Art History and has never had a steady job. Unlike her two best friends, who have moved out of Slovenia years ago with no plans to return, she is determined to stay in Ljubljana. When even her longtime boyfriend gets a job abroad she moves back in with her parents and her grandma. But Špela wants to grow up and cut the cord instead of delaying her already well overdue adulthood any longer.

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