
Alias Jesse James
1959

Representation Score
Minimal
1976
PGDirector
Frank D. Gilroy
Runtime
99 minutes
Average Rating
No ratings yetNew Showbiz Analysis
From Noon Till Three operates as a conventional genre piece, relying on established archetypes like the outlaw and the widow. The narrative focuses on individual myth-making rather than challenging systemic social structures. The film adheres to the demographic and social norms of the 1970s Western genre. While the female lead exercises some communicative power through authorship, the broader social framework remains traditional and homogeneous. Ultimately, the film functions within a localized, traditionalist social structure without disrupting established hierarchies or offering significant diverse representation.
Category Breakdown
The film centers on a heterosexual relationship between a bank robber and a widow. There are no LGBTQ characters or themes explored.
Amanda Starbuck plays a significant role by writing a book about the protagonist, but her actions remain closely tied to his legend. The film upholds traditional gender roles.
The setting reflects the homogeneous demographics typical of 1970s Westerns. There are no significant roles for non-white characters.
The story examines the creation of myths and reputations through a traditional Western lens. It does not critique Western institutions or social orders.
The narrative does not include any characters with visible or invisible disabilities.
Present on Screen
Limited or Absent
Official Synopsis
Bank robber Graham Dorsey spends a few hours with beautiful widow Amanda Starbuck, in which time his gang takes part in a disastrous holdup. Learning of his comrades' demise, Dorsey goes on the lam. Believing her short-term lover was killed by the law, Amanda decides to make the most of having had a liaison with the supposedly deceased desperado by writing a book about him. Much to his confusion, the still-living Dorsey watches as his name becomes legendary.

1959

1973

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1973

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1965
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