
Granny of the Dead
2017

2014
Director
Benjamin Rocher, Thierry Poiraud
Runtime
140 minutes
Average Rating
No ratings yetSynopsis
For the Olympique de Paris soccer team, this away match scheduled against Caplongue was merely supposed to be one last chore before the end of the professional season. Yet no one could ever have imagined that an unknown rabies-like infection was going to spread like wildfire, turning this small town’s inhabitants into ultra-violent and highly contagious creatures.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film offers no evidence of LGBTQ+ characters or non-cisnormative identities. The narrative remains strictly focused on the soccer team's survival within a horror framework.
Gender Representation
The story centers on a professional soccer team, a setting that emphasizes traditional masculine archetypes. There is no indication of female characters in positions of physical or intellectual superiority.
Racial & Ethnic Diversity
While the team is from Paris, suggesting potential metropolitan diversity, the specific racial composition of the cast is not detailed. The plot follows a conventional survivalist structure.
Religious & Cultural Diversity
The film uses a common horror trope where a structured institution faces lawlessness. It frames the chaos through biological catastrophe rather than a critique of religion or social structures.
Disability Representation
Physical impairment is treated as a symptom of the rabies-like infection rather than a nuanced portrayal of disability. There is no indication of neurodivergence or chronic illness being explored.
Strengths
Areas for Improvement
AI Analysis
Goal of the Dead is a genre-driven horror-comedy that prioritizes kinetic storytelling and survival mechanics over social commentary. The plot focuses on a professional soccer team navigating a biological outbreak in a small town. The film lacks the narrative architecture to explore identity politics or systemic power dynamics. Instead, it relies on the tension between athletic discipline and the chaos of a contagious infection. Ultimately, the work functions as a traditional genre piece, centering on external biological threats rather than the subversion of social norms or intersectional representation.

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