
No Touching
2016

2011
RDirector
Uwe Boll
Runtime
86 minutes
Average Rating
No ratings yetSynopsis
An action comedy centered on Blubberella, an overweight half-vampire woman whose footsteps cause explosions and whose dual swords are used against anyone who makes fun of her. She must face an army of undead Nazi soldiers in her valiant struggle against bloodshed and tyranny.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film lacks explicit evidence of LGBTQ+ characters or narratives. It focuses on a singular protagonist's struggle, offering no verified depictions of non-cisnormative identities or same-sex intimacy.
Gender Representation
Blubberella subverts traditional tropes of female passivity by centering an unconventional woman in a high-action, combat-oriented role. She possesses significant physical power and agency through her use of weaponry.
Racial & Ethnic Diversity
The narrative centers on a conflict against undead Nazi soldiers. However, the film provides no specific details regarding the racial composition of the protagonist's allies or the broader cast.
Religious & Cultural Diversity
The story frames a rebellion against a historical manifestation of tyranny. While it depicts individual resistance against oppressive structures, the horror-comedy tone leans toward moral relativism.
Disability Representation
The protagonist's body type is central to her identity and supernatural abilities. While she possesses combat agency, it remains unclear if her weight is a stylistic device or a nuanced depiction.
Strengths
Areas for Improvement
AI Analysis
Blubberella functions primarily as a genre-driven action-comedy that prioritizes stylistic subversion over deep social critique. While the film breaks ground by centering a powerful, non-traditional female protagonist, it lacks the intersectional complexity needed for a higher score. The narrative focuses on supernatural and political conflict rather than exploring diverse social identities. This results in a film that offers individual agency but avoids systemic or nuanced representation of marginalized groups.

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