The film lacks LGBTQ+ characters or non-heteronormative identities. It operates within a traditional genre framework without queer-coded subtext.

Maria serves as a combat-oriented lead rather than a passive character. Her agency provides a moderate subversion of the typical damsel in distress archetype.

The production features a predominantly white cast. There is no evidence of race-bent casting or intentional efforts to diversify the ensemble.

The film uses religious iconography for campy, secular irony. It reframes sacred symbols within a profane, action-oriented context through postmodern deconstruction.

No visible or invisible disabilities are integrated into the character arcs. Disability is not used as a central narrative driver.