
Before We Vanish
2017

Representation Score
Good
2017
Director
Kiyoshi Kurosawa
Runtime
140 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Kiyoshi Kurosawa’s film questions the stability of social institutions, particularly the nuclear family. Despite its limited demographic range, the narrative explores the fragility of human connections and the erosion of traditional stability through sci-fi elements. While it challenges conventional social structures, the film lacks diversity in LGBTQ+ representation and racial backgrounds.
Category Breakdown
The film does not explicitly depict LGBTQ+ identities or relationships outside of traditional heterosexual norms.
Female characters play key roles in the story, taking on investigative and psychological responsibilities. They challenge traditional domestic roles by navigating interpersonal conflicts.
The film features a predominantly Japanese cast, reflecting a specific cultural focus without incorporating diverse racial backgrounds.
The movie critiques established social institutions, such as the nuclear family, by highlighting the flaws and vulnerabilities within these structures.
Mental health and neurodivergence play crucial roles in the plot, but it is unclear if these elements grant the main character full ability to act or simply serve as tension.
Present on Screen
Limited or Absent
Official Synopsis
Miyuki Asakawa tells her colleague Etsuko Yamagiwa that she has a ghost in her home. When Etsuko goes to Miyuki's home, there is only Miyuki's father there. Etsuko becomes worried about Miyuki's state of mind, and she takes Miyuki to the psychiatric hospital where her husband, Tatsuo, works. There, Miyuki receives a diagnosis that she lacks the concept of "family." Later, Etsuko tells Tatsuo that she is not comfortable with Dr. Jirō Makabe. Tatsuo introduced her to Dr. Makabe earlier at the hospital. Etsuko has a feeling of unease about her husband working with Dr. Makabe. One day, Etsuko hears Dr. Makabe state "I came to Earth to invade."

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