
The Tickle King
2017

Representation Score
Minimal
2017
NRDirector
Erik Nelson
Runtime
93 minutes
Average Rating
No ratings yetNew Showbiz Analysis
A Gray State is a dystopian narrative rooted in libertarian skepticism and fringe political discourse. It focuses on a male-led resistance movement against state surveillance and centralized authority. The film avoids discussions of multi-layered identity politics, opting instead to reinforce traditionalist values of individual autonomy. It does not engage with LGBTQ+ theory or the subversion of established racial or gender hierarchies. Ultimately, the work aligns with conservative sociopolitical perspectives, prioritizing a struggle for sovereignty over progressive or postmodern cultural frameworks.
Category Breakdown
The film does not include any representation of non-binary gender identities or same-sex relationships. It operates within a conventional social framework without addressing LGBTQ+ visibility.
The narrative centers on a male protagonist and prioritizes traditionally masculine themes of survival and resistance. It adheres to a traditional gender hierarchy without challenging these roles.
The story emphasizes socioeconomic and political divides rather than diverse racial dynamics. It focuses on archetypes that align with traditional Western social structures.
The film prioritizes individual sovereignty and anti-statist ideologies over collective social cohesion. It functions as a critique of modern Western governance and institutional authority.
There is no evidence that disability or neurodivergence serves as a central narrative driver. No character arcs related to chronic illness are present.
Present on Screen
Limited or Absent
Official Synopsis
In 2010 David Crowley, an Iraq veteran, aspiring filmmaker and charismatic up-and-coming voice in fringe politics, began production on his film Gray State. Set in a dystopian near-future where civil liberties are trampled by an unrestrained federal government, the film’s crowd funded trailer was enthusiastically received by the burgeoning online community of libertarians, Tea Party activists and members of the nascent alt-right. In January of 2015, Crowley was found dead with his family in their suburban Minnesota home. Their shocking deaths quickly become a cause célèbre for conspiracy theorists who speculate that Crowley was assassinated by a shadowy government concerned about a film and filmmaker that was getting too close to the truth about their aims.

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