The film follows a traditional heteronormative structure centered on soldiers and their wives. No non-cisnormative identities or narratives are present.

Male soldiers act as the primary agents of the plot. Female characters are positioned as recipients of supernatural possession and pregnancy rather than active agents.

The film features a culturally specific Chinese cast and setting. It operates within a historically specific ethnic framework rather than a color-blind approach.

The story utilizes folklore and supernatural horror elements. It follows traditional genre conventions rather than deconstructing specific institutions or spiritual themes.

There is no evidence regarding the portrayal of neurodivergence, physical disabilities, or chronic illness in this narrative.