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City of Glass

City of Glass

Representation Score

5.4/10

Fair

1998

Not Rated

Director

Mabel Cheung Yuen-Ting

Runtime

110 minutes

Average Rating

No ratings yet

New Showbiz Analysis

City of Glass reimagines history by shifting the narrative focus to the localized experiences of Hong Kong citizens during the 1930s. It avoids the typical colonial perspective, offering a non-Anglo-centric view of the era. The film excels in its post-colonial structure and its emphasis on the experiences of underrepresented communities during times of upheaval. However, it adheres to conventional romantic storylines and lacks representation for LGBTQ+ identities and specific disability narratives.

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Category Breakdown

Does City of Glass have LGBTQ+ representation?

Minimal

The film follows a romantic relationship between Ling and Chan, but there is no depiction of same-sex intimacy or non-cisgender identities, sticking to traditional heterosexual norms.

How does City of Glass portray gender?

Good

The story challenges traditional gender roles by highlighting Ling's emotional and psychological resilience. She is a strong, active protagonist rather than a passive observer of wartime events.

How racially and ethnically diverse is City of Glass?

Excellent

The film offers an authentic portrayal of a Chinese cast set in 1930s Hong Kong. It avoids whitewashing by focusing on the lived experiences of the local population.

How does City of Glass represent religion and culture?

Good

The film examines the impact of imperial forces on local populations using a post-colonial framework. It explores the fragility of social order and institutions during wartime.

Does City of Glass include disability representation?

Minimal

While the film touches on psychological trauma and the loss of innocence, it does not feature characters with visible or invisible disabilities as central identities.

Present on Screen

  • An authentic portrayal of a predominantly Chinese cast in 1930s Hong Kong.
  • Highlights the female protagonist's emotional and psychological resilience during historical conflict.
  • Uses a sophisticated post-colonial lens to prioritize the experiences of the colonized.

Limited or Absent

  • No representation of non-cisgender gender identities or same-sex relationships.
  • No characters with visible or invisible disabilities serving as central plot drivers.

Official Synopsis

The story of man and ex-girlfriend found dead after a car crash and how their children come together to retell the story.

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