
The Life of Trees
2012

Representation Score
Fair
2010
Director
Joanna Lurie
Runtime
11 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film provides a contemplative alternative to mainstream animation by focusing on non-human characters. It avoids traditional human social hierarchies, opting for an ecological rhythm that breaks away from human-centric storytelling. Though the film doesn't specifically represent diverse identities, its strength lies in its neutrality. By removing human-centric conflicts and gendered power dynamics, it creates a space free from conventional social expectations. Ultimately, the work serves as a metaphorical exploration of companionship. It replaces human institutions with a focus on the sensory experiences of biological entities adapting to environmental changes.
Category Breakdown
The film doesn't explicitly depict sexual orientation or gender identity, but the non-binary nature of the tree-creatures offers a break from typical heterosexual and cisgender roles.
By using non-human characters, the film avoids traditional gender roles. These characters exist in a balanced ecosystem, avoiding dominance by either masculinity or femininity.
The use of non-human entities mirrors diverse human experiences. The lack of a human, Anglo-centric cast allows for a universal perspective.
The film focuses on a nature-centric worldview, avoiding organized religion. It challenges human social constructs like capitalism by emphasizing symbiotic survival and environmental responses.
There are no visible or explicit depictions of physical or neurodevelopmental disabilities. Sensory experiences are shown as interactions with the environment, not as explorations of disability.
Present on Screen
Limited or Absent
Official Synopsis
Two tree-creatures hibernating underneath the bark of their trees wake up by the quakes produced by a snowfall outside. After going out, they become friends and delight at playing with the snow.

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