
Man of the World
1965

Representation Score
Fair
1964
Director
Obrad Gluščević
Runtime
86 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Mad Summer is a cultural snapshot of 1960s Yugoslavian cinema, capturing the growth of Mediterranean tourism through the lens of youth culture and social interaction. The film follows the traditional social structures and dating norms of its time. While it avoids the overt biases found in more conservative global cinema, it does not aim to challenge these norms. Overall, the story structure focuses on the comedic aspects of local social dynamics and the performance of masculinity.
Category Breakdown
The film doesn't show any clear signs of non-binary gender identities or same-sex relationships. The focus on boys attracting tourists suggests a traditional view of romance and masculinity typical of the time.
Although there are strong female roles, the story mainly revolves around male actions and social rankings. Women might serve as objects of the male gaze within traditional dating norms rather than as independent drivers of the plot.
The cast is mostly made up of people from similar ethnic backgrounds, reflecting the area of Dalmatia in 1964. However, the theme of tourism hints at interactions between locals and visitors.
The film depicts a secular, pleasure-seeking environment of Mediterranean summer fun. It records the social customs of the time without criticizing capitalism or traditional family structures.
There is no indication of characters with physical or neurodivergent disabilities.
Present on Screen
Limited or Absent
Official Synopsis
A summer in the life of tourist-seducing boys.

1965

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1981
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