The film lacks any evidence of non-cisnormative identities or same-sex intimacy. There are no visible critiques of heteronormativity within the narrative.

Laurette Scarlata provides a baseline level of female inclusion in the cast. However, it remains unclear if the film subverts gender hierarchies or relies on archetypes.

A multi-ethnic ensemble is suggested by diverse surnames like Adamantiadis and Riggio. The narrative, however, does not explicitly detail the agency or depth of these characters.

The bunker setting emphasizes isolationism rather than cultural exchange. There is no evidence of religious deconstruction or critiques against Western institutions.

While psychologists are central to the plot, there is no indication that neurodivergence or disability is portrayed with agency. Mental health themes appear strictly tied to the horror premise.