The film lacks any indication of non-cisnormative gender identities or same-sex intimacy. The story focuses on traditional romantic devotion between male and female leads.

Elena provides a multifaceted identity, transitioning between a Russian princess and a woman-of-the-streets. This duality offers more complexity than a singular feminine archetype, though it remains within traditional romantic drama frameworks.

The international setting moves between Russia and France, introducing cultural variety beyond Anglo-centric domesticity. However, the primary cast lacks significant intersectional diversity or evidence of race-bent casting.

The narrative leans into 1920s Hollywood escapism through an exotic romance framing. It adheres to romanticized notions of class and nobility rather than offering secularist or anti-Western critiques.

There is no evidence of characters with visible or invisible disabilities integrated into the narrative.