The film focuses on a heterosexual romantic dynamic involving Carlos, Anna, and the deceased Beatrice. No queer identities or non-cisnormative arcs are present.

Female characters drive the supernatural conflict, yet they often occupy traditional roles like the haunted woman or vengeful spirit. The plot remains centered on their relationships with a male protagonist.

The story centers on Filipino identity through local spiritual practices. It uses indigenous belief systems to provide a non-Western framework for the horror genre.

The narrative prioritizes local folklore and spiritualism over standard Western tropes. It centers on a medium and ancestral justice rather than strictly Catholic exorcism.

There is no evidence of physical or neurodivergent disabilities within the narrative.