You are here:

Mangkujiwo

Name: Mangkujiwo
Director: Azhar Kinoi Lubis
Released: 2020
Duration: 109 min

Representation Score

2.0/10

Limited

2020

Director

Azhar Kinoi Lubis

Runtime

109 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Mangkujiwo is a culturally specific horror film that emphasizes Javanese folklore and mystical traditions. It presents a regional perspective on supernatural themes without engaging in social critique. The film successfully offers an authentic, non-Western viewpoint on the supernatural. By focusing on Javanese identity and indigenous mysticism, it avoids the typical Westernized horror clichés. However, the narrative maintains traditional social structures. It upholds conventional gender roles and lacks representation for LGBTQ+ identities or characters with disabilities, focusing instead on personal conflicts and established social norms.

Watch this, not that →

Category Breakdown

Does Mangkujiwo have LGBTQ+ representation?

Minimal

The film does not include any LGBTQ+ characters or narratives. Relationships and family dynamics follow traditional structures.

How does Mangkujiwo portray gender?

Limited

Most characters conform to traditional gender roles and hierarchies. The story does not significantly challenge masculine leadership or feminine roles.

How racially and ethnically diverse is Mangkujiwo?

Good

The film features an Indonesian cast and highlights Javanese culture. It explores supernatural themes through indigenous mysticism.

How does Mangkujiwo represent religion and culture?

Fair

The story is grounded in local spiritual beliefs and animistic traditions. Conflicts arise from mythological forces and personal disputes rather than broader societal issues.

Does Mangkujiwo include disability representation?

Minimal

There are no characters with visible or invisible disabilities playing central roles in the narrative.

Present on Screen

Authentic portrayal of Javanese ethnic identity and cultural traditions.
Non-Western perspective on supernatural horror elements.
Embedded in indigenous mysticism and local mythic traditions.

Limited or Absent

No representation for LGBTQ+ identities or non-traditional narratives.
Traditional gender roles limit opportunities for feminine ability to act and subversion.
Absence of characters with visible or invisible disabilities in central roles.

Official Synopsis

After being removed from his position at the Keraton by Cokrokusumo, Brotoseno intends to take revenge. Brotoseno invites a woman named Kanti who is also filled with hatred for Cokrokusumo.

How are these scores produced? →