
The Immortals
2021

2011
Director
Evan Oppenheimer
Runtime
94 minutes
Average Rating
No ratings yetSynopsis
Joshua Lazarus (Nick Stahl) is a telepath who has been raised in a NSA foster home. Lazarus helps the government by using his abilities. He is told by the agency that the telepathy is a side effect of Widmann's Disease, and that he will become insane in time and eventually die from the illness. However, Lazarus meets a woman with similar powers (Mía Maestro) who does not have any sign of the disease, launching Lazarus to confront the lies he has been told
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film lacks LGBTQ+ characters or narratives addressing non-cisnormative identities. The central plot focuses on a relationship between the male protagonist and a female counterpart.
Gender Representation
The story offers a potential subversion of power dynamics by pitting a male-dominated institution against a female character with significant agency. This provides a moderate level of gendered complexity.
Racial & Ethnic Diversity
There is no specific information regarding the racial identities of the cast. While certain names suggest potential diversity, the narrative does not explicitly confirm non-white representation.
Religious & Cultural Diversity
The film critiques Western institutional authority by framing a government agency as a deceptive entity. It emphasizes skepticism toward official narratives and systemic corruption.
Disability Representation
Neurodivergence and chronic illness drive the plot, but the focus remains on the protagonist's agency. The conflict centers on how institutions weaponize medical conditions to control individuals.
Strengths
Areas for Improvement
AI Analysis
The film operates as a genre-driven thriller centered on the tension between individual autonomy and institutional control. Its narrative strength lies in its exploration of systemic deception and the exploitation of neurodivergence. However, the work lacks a broad spectrum of intersectional representation. While it engages with themes of disability and institutional skepticism, it provides little evidence of racial, LGBTQ+, or diverse cultural depth.

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