
The ABCs of Death
2013

Representation Score
Excellent
2014
NRDirector
Erik Matti, Kristina Buožytė, Robert Morgan, Bill Plympton, Rodney Ascher, Lancelot Oduwa Imasuen, Vincenzo Natali, Alexandre Bustillo, Bruno Samper, Aharon Keshales, Dennison Ramalho, E.L. Katz, Jerome Sable, Jen Soska, Navot Papushado, Julian Gilbey, Julien Maury, Larry Fessenden, Sylvia Soska, Hajime Ohata, Sôichi Umezawa, Chris Nash, Todd Rohal, Julian Barratt, Alejandro Brugués, Marvin Kren, Jim Hosking, Robert Boocheck, Juan Martínez Moreno, Steven Kostanski, Wolfgang Matzl
Runtime
124 minutes
Average Rating
No ratings yetNew Showbiz Analysis
ABCs of Death 2 succeeds as a globalized horror experiment, using an international team of directors to break away from Hollywood's standard storytelling. Its main strength is its diverse creative team, bringing a multifaceted, non-Western perspective to the genre. However, the anthology's emphasis on visceral shock and body horror often overshadows nuanced identity representation. While the film dismantles traditional social hierarchies and moral frameworks, it tends to treat physical trauma as a spectacle rather than a means to explore disability or neurodivergence. Ultimately, the film is a study in stylistic variety. It replaces cohesive moral guidance with a polyphonic, globalized approach that challenges conventional authority and Western ethical norms.
Category Breakdown
The film doesn't have a strong focus on LGBTQ+ identities. Instead, it highlights physical threats and personal freedom without delving into specific LGBTQ+ stories or critiques of heteronormativity.
The film's portrayal of gender is inconsistent. However, the Soska sisters bring a unique female viewpoint to the splatter genre. Some parts show women as vulnerable, while others give them significant roles through violent autonomy.
The film stands out with a mix of international filmmakers from South Korea, Brazil, and Africa. This approach avoids Western dominance and challenges Anglo-centric control in horror.
The story avoids a single moral stance based on Christianity. Instead, it presents situations with irony and arbitrary justice. Traditional institutions like family and authority are shown as weak or irrelevant in chaos.
The film uses bodily transformations and physical trauma mainly as tools for body horror. These elements serve the genre's need for shocking visuals rather than exploring the lived experiences of people with disabilities.
Present on Screen
Limited or Absent
Official Synopsis
Taking all that was great from the first instalment, the movie aims to be a wilder, leaner, faster-paced and even more entertaining anthology this time around, with a new crop of award-winning, visionary filmmakers from around the globe.

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