
Leave the World Behind
2014

2010
Director
Christian Larson
Runtime
45 minutes
Average Rating
No ratings yetSynopsis
This unique film follows a group of 3 DJs Axwell, Steve Angello and Sebastian Ingrosso as Swedish House Mafia over the course of 2 years, 285 gigs and 15 countries. The film charts their journey from the point at which the Swedish House Mafia really starts to cause big waves to finishing their first hit single, ONE, under a ground breaking joint venture record deal with Virgin Records. There are appearences by Kylie Minogue, Pharell Williams, Tinie Tempah and Dirty South and the film was directed by Christian Larson.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film lacks a central focus on LGBTQ+ identities or non-cisnormative expressions. Representation is incidental to the musical context, with no specific narratives addressing same-sex intimacy or heteronormativity.
Gender Representation
The narrative is heavily male-centric, focusing on the professional dynamics and business negotiations of the three male protagonists. While female artists like Kylie Minogue appear, they function within established professional roles.
Racial & Ethnic Diversity
The film captures a globalized perspective through 15 countries and appearances by artists like Pharrell Williams. However, the core narrative remains centered on a white, Swedish-led musical entity.
Religious & Cultural Diversity
The documentary focuses on navigating globalized capitalism and commercial achievement. It lacks significant engagement with religious, anti-capitalist, or post-colonial themes, opting instead to celebrate professional expansion.
Disability Representation
There is no discernible focus on physical or neurodivergent representation. The film does not address disability as a component of the human experience within the music industry.
Strengths
Areas for Improvement
AI Analysis
Take One functions as a specialized industry chronicle, prioritizing the professional ascent of Swedish House Mafia over social or identity-based discourse. The film's architecture is built on documenting commercial momentum and the logistics of global stardom. Because the narrative is designed to track a specific career trajectory within existing industry structures, it does not seek to disrupt traditional social hierarchies. Diversity appears primarily as a byproduct of the group's international touring schedule rather than a deliberate narrative goal. Ultimately, the film remains a conventional study of a homogenous core group. It celebrates the navigation of Western commercial systems without engaging in deeper sociopolitical critiques.

2014

2009

2010

2013

2012

2015

2009

2017

2015

2020

2015

2023
No reviews yet. Be the first to share your thoughts on this movie!
Use the rating form above to leave a star rating and optional review.