
Take One: A Documentary Film About Swedish House Mafia
2010

2014
GDirector
Christian Larson
Runtime
90 minutes
Average Rating
No ratings yetSynopsis
A music documentary following the breakup of Swedish House Mafia and their subsequent One Last Tour. The largest electronic tour in history, selling over 1 million tickets in one week. Director Christian Larson captures the band in a unique fly on the wall manner as they call it quits and seek closure by going on the tour they had always dreamed of. With breathtaking live moments, huge laughs and dark lows, the band start to unravel why they came to the decision to end the biggest achievement of their lives to date to save their friendship. The film maps out three of the biggest stars in a scene which has gripped youth the world over and the psychology of the band. A film not to be missed.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The documentary focuses on the professional and personal dissolution of the Swedish House Mafia. There is no explicit evidence regarding the depiction of queer intimacy or non-cisnormative identities.
Gender Representation
The narrative is centered on a male-dominated musical collective. Agency and the primary emotional arc are held by the male protagonists, reflecting traditional gendered groupings in the electronic music industry.
Racial & Ethnic Diversity
The film documents a specific Swedish musical entity and their global tour. While the audience is global, the central subjects remain a homogeneous group without evidence of racial blending.
Religious & Cultural Diversity
The film explores the tension between professional capitalism and personal connection. It moves beyond a celebratory success story to offer emotional realism regarding the cost of fame.
Disability Representation
The film does not feature subjects or characters navigating physical, neurodivergent, or mental health disabilities.
Strengths
Areas for Improvement
AI Analysis
This documentary serves as a specialized biographical study of the Swedish House Mafia's breakup. It prioritizes the psychological unraveling of a specific trio over broader social representation. The film captures the interpersonal dynamics and the emotional toll of global stardom. However, the narrative remains anchored in a traditional demographic, focusing on the male-dominated landscape of the electronic music scene. While the scale of the tour suggests a multicultural backdrop, the core subjects lack diversity. The work functions more as a character study of celebrity than a tool for systemic social subversion.

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