
One Hundredth of a Second
2006

Representation Score
Fair
2019
Not RatedDirector
Boris Lojkine
Runtime
90 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Camille stands out as a character study that challenges the 'great man' cliché of art history. By focusing on a underrepresented female perspective, the film critiques the social and medical norms of its time. The narrative highlights the tension between individual autonomy and patriarchal control. Despite the lack of racial and LGBTQ+ diversity due to its historical context, the film finds progressive value in its critique of institutional power. Its strength lies in its sophisticated handling of gender and neurodivergence, providing a thorough examination of societal management of non-conformists.
Category Breakdown
The film stays true to its historical period and does not include any explicit LGBTQ+ identities. The focus is on the traditional romantic and professional relationship between Claudel and Rodin.
This drama dismantles gender hierarchies by centering a female protagonist with superior creative intellect. It portrays the male-dominated art world as a restrictive structure that stifles female empowerment.
The film reflects the demographic realities of mid-20th-century Europe, showing no significant use of color-blind casting or diverse ethnic representation.
The story examines how state and familial authorities historically managed non-conforming women. It explores moral relativism through the lens of Claudel’s oppressive medical and social institutionalization.
The film offers a nuanced portrayal of mental health struggles without resorting to inspiration porn. It presents Claudel's psychological issues as a complex interplay of personal crisis and systemic mismanagement.
Present on Screen
Limited or Absent
Official Synopsis
Camille, a young idealistic photojournalist, goes to the Central African Republic to cover the civil war that is brewing up. What she sees there will change her destiny forever.

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