
The Class
2022

2017
Director
Cat Rhinehart
Runtime
97 minutes
Average Rating
No ratings yetSynopsis
Former high school friends run into each other years later and drunkenly decide to make good on their promise to marry each other if they're both still single by 30 - only to discover too late all the things they liked about each other when they were younger have changed.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The casting of actors known for non-traditional identities suggests a narrative that likely moves beyond heteronormative archetypes. However, the film lacks explicit scene-level confirmation of queer romantic pairings or identity markers.
Gender Representation
The premise focuses on shifting friendship dynamics and adult relationship complexities. This structure allows for the subversion of traditional gender roles and the portrayal of female agency during personal disillusionment.
Racial & Ethnic Diversity
Casting Arturo Castro and Dijon Talton in top-billed roles indicates a significant departure from homogeneous romantic comedies. Actors of color serve as central drivers of the narrative's emotional arcs rather than background elements.
Religious & Cultural Diversity
The story explores the transition to adulthood through a lens of disillusionment and moral relativism. It appears to critique the stability of traditional institutions like marriage and lifelong social expectations.
Disability Representation
There is no explicit evidence regarding the portrayal of physical or neurodivergent disabilities within the provided cast list or synopsis.
Strengths
Areas for Improvement
AI Analysis
Brand New Old Love distinguishes itself through a casting strategy that prioritizes racial and ethnic diversity. By placing actors of color in central, narrative-driving roles, the film avoids the homogeneous tropes common in the romantic comedy genre. While the film shows promise in its subversion of gender roles and potential for queer representation, these elements remain implicit. The narrative focuses more on the deconstruction of social milestones and the complexities of adult identity than on explicit identity politics. Ultimately, the film functions as a character study that uses a diverse ensemble to explore modern social dynamics and the disillusionment of adulthood.

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