You are here:

Starhops

Name: Starhops
Director: Barbara Peeters
Released: 1978
Duration: 88 min

Representation Score

3.3/10

Limited

1978

Director

Barbara Peeters

Runtime

88 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Starhops offers a moderate subversion of 1970s cinematic norms by placing female protagonists in positions of professional leadership. By centering the plot on the roles of two waitresses, the film moves away from typical male-dominated narratives of the era. However, the film lacks significant depth in representing diverse identities. The representation of race and ethnicity remains limited, adhering largely to the traditional casting patterns of the period. While the film provides a nuanced look at female-led entrepreneurship, it does not engage deeply with broader identity politics or diverse social identities.

Watch this, not that →

Category Breakdown

Does Starhops have LGBTQ+ representation?

Limited

The film does not include any explicit LGBTQ+ characters or narratives. The story focuses on the professional struggles of a central trio within conventional social structures.

How does Starhops portray gender?

Fair

The plot disrupts traditional hierarchies by centering on the roles of two female waitresses who serve as the primary drivers for the restaurant's potential economic revival.

How racially and ethnically diverse is Starhops?

Limited

Representation appears to follow the casting norms of the late 1970s. The inclusion of a French chef provides a specific ethnic element within the ensemble.

How does Starhops represent religion and culture?

Fair

The narrative explores themes of economic instability and failing capitalist structures. It subtly critiques commercial institutions through the lens of underrepresented workers.

Does Starhops include disability representation?

Minimal

There is no evidence of characters with visible or invisible disabilities within the film's narrative or credits.

Present on Screen

The film centers on the roles of two female waitresses, allowing women to drive the professional and economic plot.
It provides a departure from the male-centric narratives common in late 1970s genre filmmaking.

Limited or Absent

The film lacks explicit LGBTQ+ representation or narratives that challenge straight-centered assumptions.
Racial and ethnic diversity appears limited to a single French character, following period-specific casting norms.
There is no visible representation of characters with disabilities.

Official Synopsis

After the owner of a failing drive-in restaurant sells his establishment, two waitresses and a French chef try to turn it around.

How are these scores produced? →